“Tripping On Wires: The Wireless Body: Who Is Improvising?” Critical Studies
in Improvisation/Etudes critiques en improvisation 1, no. 1 (2004): online.    
“Tools of Change and Transformation.” for the China  Catalog, Alfred University (July 2001).
“As Composers Where Are We Going?” Sounding Board, Newsletter of the American Composers Forum (2001).
“Quantum Listening: From Practice to Theory (to Practise Practice).” MusicWorks 76. (Fall 2000).
“Quantum Listening: From Practice to Theory (to Practise Practice).” Plenum Address for Humanities in the New Millennium. Chinese University Hong Kong, 2000.
“Quantum Improvisation: The Cybernetic Presence.” MusicWorks 75 (Spring 2000).
“Quantum Improvisation: The Cybernetic Presence.” Keynote address for Improvising Across Borders. University of California, San Diego, April 1999.
“David Behrman and his home grown Music” Woodstock Times 26 September 1999.
“Evangelism in Tappan Square.” Oberlin College News (Spring 1999).
“Deep Listening® Bridge To Collaboration.” Keynote address for ArtSci98>>>seeding collaboration. Cooper Union New York City, April 1998.
“Deep Listening® Bridge To Collaboration.” Journal of the IAWM 2 no. 3 (Fall 1999).
“A Performer-Controlled Live Sound-Processing System: New Developments and
    Implementations of the Expanded Instrument System.” with David Gamper. Leonardo Music Journal 8 (1998): 33-38.
“Breaking the Silence.”  Commissioned by Frau Musika (nova) (January 1998).
“A Former UCSD Professor Speaks Up: An Email Exchange.” Journal of the IAWM (Fall 1997).
“Acoustic and Virtual Space as a Dynamic Element of Music.” Leonardo Music Journal 5 (1995): 19-22.
“Listening As Healing.” Movement Research (August 1994).
“Expanded Instrument System (EIS)®.” with Panaiotis. Proceedings of the International Computer Music Conference. San Jose: International Computer Music Association, 1992.
“The Earth Worm Also Sings: A Composer’s Practice of Deep Listening.” Leonardo Music Journal 3 (1993): 35-38.
“The Earth Worm Also Sings: A Response to I Hear Therefore I Am: Listening In the Twenty First Century.” a paper given by Joachim-Ernst Berendt at a theme session of the Glenn Gould Conference on Music and Technology. Toronto Canada, September 24, 1992.
“Cultivating an Artist's Career.” FYI, New York Foundation for the Arts (September 1991).
“Choreography Through Meditation: Oberlin Dance Collective in San Francisco” (January 1981).