WRITINGS
Books
Sounding the Margins,
Edited by Lawton Hall, Deep Listening Publications, 2011
The Collective Intelligence of Improvisation,
in Arcana V: Musicians on Music, Magic & Mysticism,Edited by John Zorn, Hips Road/Tzadik, 2010
From outside the window: electronic sound performance.
Pauline Oliveros, Chapter 22 in The Oxford Handbook of Computer
Music and Digital Sound Culture,
Edited by Roger T. Dean, austraLYSIS, Sydney, and MARC'S Auditory Laboratories, University of Western Sydney, Australia. 11/2008
Deep Listening:A Composer’s Sound Practice,
iUNIVERSE, 2005
Harmonic Anatomy: Women in Imprvisation
in the The Other Side of Nowhere: Jazz, Improvisation and Communities in Dialog, Edited by Ajay Heble, Wesleayan University Press, 2004
Deep Listenng: A Composer’s Sound Practice,
Deep Listening Publications, 2004
Acoustic and Virtual Space as a Dynamic Parameter of Music in Women in Music Technology,
edited by Judy Malloy. MIT Press, 2003
The Roots of the Moment: Collected Writings 1980-1996,
Drogue Press, 1998
Software For People: Collected Writings 1963-1980,
Smith Publications, 1983 Includes articles on new music, women as composers, sonic meditation, attention and awareness, and technique. Smith Publications, 1984
Initiation Dream,
A vivid dream of passage narrated by experimental composer Oliveros and realized through photographs by Becky Cohen. Astro Artz, 1983
Pauline's Proverbs
collected by Linda Montano, Printed Editions, 1980
Selected Journal Articles
Caira -- a Creative Artificially-Intuitive and Reasoning Agent as Conductor of Telematic Music Improvisations,
Authors: Jonas Braasch, Doug Van Nort, Selmer Bringsjord, Pauline Oliveros, Anthony Parks, and Colin Kuebler, AES Journal, 2010
Networked Music: Low and High Tech
Contemporary Music Review
Listening for Music Through Community
Leonardo Music Journal Volume 19, CD curated by Pauline Oliveros, MIT Press Journals, 2009
From Telephone to High Speed Internet:
A Brief History of My Tele-Musical Performances, Leonardo Music Journal Volume 19, MIT Press
The Expanded Instrument System: Introduction and Brief History, P. Oliveros,
included in The Future of Creative
Technologies
Journal of the Institute of Creative Technologies, De Montfort University, Leicester, UK, June 2008
My “American Music”: Soundscape, Politics, Technology, Community
American Music vol. 25, no. 4, 2007
Sounding the Borders
Forthcoming in Spanish from Centro Multimedia, Mexico City, September, 2007
Proceedings of the Acoustical Society of America, Providence RI June, 2006
Improvisation in the Sonosphere
Contemporary Music Review, Volume 25, Issue 5, 2006, Pages 481 – 482
Tripping On Wires: The Wireless Body – Who Is Improvising?
InCritical Studies in Improvisation/Etudes critiques en
improvisation, an online journal, 2004
<
em>Tools of Change and Transformation
For the China Catalog: Alfred University, July 2001
As Composers Where Are We Going?
American Composers Forum Newsletter, 2001
Quantum Listening: From Practice to Theory to Practice Practice
MusicWorks #75, Fall 2000 Plenum Address for Humanities in the New Millennium, Chinese University, Hong Kong, 2000
Quantum Improvisation: The Cybernetic Presence
Keynote address for Improvisation Across Borders UCSD, MusicWorks #76, Spring 2000
David Behrman and his home grown Music
Woodstock Times September 26, 1999
Evangelism in Tappan Square
Oberlin College News Spring, 1999
Deep Listening™ Bridge To Collaboration
by Pauline Oliveros, Keynote address: ArtSci98>>>seeding collaboration, A public symposium, April 4 1998 Cooper Union, NYC, IAWM Journal Fall 2/3, 1999
The Expanded Instrument System: New Developments
Pauline Oliveros and David Gamper, Leonardo Music Journal, Spring, 1998
Breaking the Silence
Commissioned by Frau Musika (nova), January 1998
A Former UCSD Professor Speaks Up: An Email Exchange
IAWM Journal, 1997
Tribute to David
MusicWorks 9/96
Acoustic and Virtual Space as a Dynamic Element of Music
Leonardo Music Journal #5, 1995
Listening As Healing
Movement Research, 8/7/1994
Expanded Instrument System (EIS)®
Authors: Oliveros, P. and Panaiotis: Proceedings of the International Computer Music Association, 1992
The Earth Worm Also Sings
A Response toI Hear Therefore I Am: Listening In the Twenty First Century, a paper given by Joachim-Ernst Berendt at a theme session of the Glenn Gould Conference on Music and Technology, Toronto, Canada, September 24, 1992
Cultivating an Artist's Career
FYI, New York Foundation for the Arts, September 1991
Choreography Through Meditation: Oberlin Dance Collective in San Francisco, January 1981
Books
Sounding the Margins,
Edited by Lawton Hall, Deep Listening Publications, 2011
The Collective Intelligence of Improvisation,
in Arcana V: Musicians on Music, Magic & Mysticism,Edited by John Zorn, Hips Road/Tzadik, 2010
From outside the window: electronic sound performance.
Pauline Oliveros, Chapter 22 in The Oxford Handbook of Computer
Music and Digital Sound Culture,
Edited by Roger T. Dean, austraLYSIS, Sydney, and MARC'S Auditory Laboratories, University of Western Sydney, Australia. 11/2008
Deep Listening:A Composer’s Sound Practice,
iUNIVERSE, 2005
Harmonic Anatomy: Women in Imprvisation
in the The Other Side of Nowhere: Jazz, Improvisation and Communities in Dialog, Edited by Ajay Heble, Wesleayan University Press, 2004
Deep Listenng: A Composer’s Sound Practice,
Deep Listening Publications, 2004
Acoustic and Virtual Space as a Dynamic Parameter of Music in Women in Music Technology,
edited by Judy Malloy. MIT Press, 2003
The Roots of the Moment: Collected Writings 1980-1996,
Drogue Press, 1998
Software For People: Collected Writings 1963-1980,
Smith Publications, 1983 Includes articles on new music, women as composers, sonic meditation, attention and awareness, and technique. Smith Publications, 1984
Initiation Dream,
A vivid dream of passage narrated by experimental composer Oliveros and realized through photographs by Becky Cohen. Astro Artz, 1983
Pauline's Proverbs
collected by Linda Montano, Printed Editions, 1980
Selected Journal Articles
Caira -- a Creative Artificially-Intuitive and Reasoning Agent as Conductor of Telematic Music Improvisations,
Authors: Jonas Braasch, Doug Van Nort, Selmer Bringsjord, Pauline Oliveros, Anthony Parks, and Colin Kuebler, AES Journal, 2010
Networked Music: Low and High Tech
Contemporary Music Review
Listening for Music Through Community
Leonardo Music Journal Volume 19, CD curated by Pauline Oliveros, MIT Press Journals, 2009
From Telephone to High Speed Internet:
A Brief History of My Tele-Musical Performances, Leonardo Music Journal Volume 19, MIT Press
The Expanded Instrument System: Introduction and Brief History, P. Oliveros,
included in The Future of Creative
Technologies
Journal of the Institute of Creative Technologies, De Montfort University, Leicester, UK, June 2008
My “American Music”: Soundscape, Politics, Technology, Community
American Music vol. 25, no. 4, 2007
Sounding the Borders
Forthcoming in Spanish from Centro Multimedia, Mexico City, September, 2007
Proceedings of the Acoustical Society of America, Providence RI June, 2006
Improvisation in the Sonosphere
Contemporary Music Review, Volume 25, Issue 5, 2006, Pages 481 – 482
Tripping On Wires: The Wireless Body – Who Is Improvising?
InCritical Studies in Improvisation/Etudes critiques en
improvisation, an online journal, 2004
<
em>Tools of Change and Transformation
For the China Catalog: Alfred University, July 2001
As Composers Where Are We Going?
American Composers Forum Newsletter, 2001
Quantum Listening: From Practice to Theory to Practice Practice
MusicWorks #75, Fall 2000 Plenum Address for Humanities in the New Millennium, Chinese University, Hong Kong, 2000
Quantum Improvisation: The Cybernetic Presence
Keynote address for Improvisation Across Borders UCSD, MusicWorks #76, Spring 2000
David Behrman and his home grown Music
Woodstock Times September 26, 1999
Evangelism in Tappan Square
Oberlin College News Spring, 1999
Deep Listening™ Bridge To Collaboration
by Pauline Oliveros, Keynote address: ArtSci98>>>seeding collaboration, A public symposium, April 4 1998 Cooper Union, NYC, IAWM Journal Fall 2/3, 1999
The Expanded Instrument System: New Developments
Pauline Oliveros and David Gamper, Leonardo Music Journal, Spring, 1998
Breaking the Silence
Commissioned by Frau Musika (nova), January 1998
A Former UCSD Professor Speaks Up: An Email Exchange
IAWM Journal, 1997
Tribute to David
MusicWorks 9/96
Acoustic and Virtual Space as a Dynamic Element of Music
Leonardo Music Journal #5, 1995
Listening As Healing
Movement Research, 8/7/1994
Expanded Instrument System (EIS)®
Authors: Oliveros, P. and Panaiotis: Proceedings of the International Computer Music Association, 1992
The Earth Worm Also Sings
A Response toI Hear Therefore I Am: Listening In the Twenty First Century, a paper given by Joachim-Ernst Berendt at a theme session of the Glenn Gould Conference on Music and Technology, Toronto, Canada, September 24, 1992
Cultivating an Artist's Career
FYI, New York Foundation for the Arts, September 1991
Choreography Through Meditation: Oberlin Dance Collective in San Francisco, January 1981
